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    <subfield code="a">Flynn, Gillian,</subfield>
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    <subfield code="a">Gone Girl</subfield>
    <subfield code="h">[Libby Audiobook] :</subfield>
    <subfield code="b">A Novel.</subfield>
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    <subfield code="b">Penguin Random House Audio Publishing Group, </subfield>
    <subfield code="c">2012.</subfield>
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    <subfield code="a">Format: OverDrive OverDrive MP3 Audiobook, Filesize: 528MB.</subfield>
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    <subfield code="a">HTML:Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work "draws you in and keeps you reading with the force of a pure but nasty addiction." Gone Girl's toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy's fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.&lt;br /&gt; &lt;i&gt;From the Hardcover edition.&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"A great crime novel, however, is an unstable thing, entertainment and literature suspended in some undetermined solution. Take Gillian Flynn's &lt;i&gt;Gone Girl&lt;/i&gt;, the third novel by one of a trio of contemporary women writers (the others are Kate Atkinson and Tana French) who are kicking the genre into a higher gear... You couldn't say that this is a crime novel that's ultimately about a marriage, which would make it a literary novel in disguise. The crime and the marriage are inseparable. As &lt;i&gt;Gone Girl&lt;/i&gt; works itself up into an aria of ingenious, pitch-black comedy (or comedic horror -- it's a bit of both), its very outlandishness teases out a truth about all magnificent partnerships: Sometimes it's your enemy who brings out the best in you, and in such cases, you want to keep him close.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Salon&lt;/i&gt;.</subfield>
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    <subfield code="a">Narrator Kirby Heyborne begins this suspense novel when Nick comes home on his fifth anniversary to an empty house that shows signs of a struggle but no sign of his beautiful and clever wife, Amy. Heyborne creates a persona of passive detachment that begins to show signs of wear as the police investigation increasingly focuses on him. Weaving around Nick's story, Julia Whelan dishes up Amy's diaries, beginning when Amy and Nick first met, with a tone of the doting and loving wife who lives to please. Soon it's clear that neither Amy nor Nick is to be taken at face value. The nuances heard in both Whelan's and Heyborne's narrations heighten the suspense and support the intricacies of the plot. J.E.M. © AudioFile 2012, Portland, Maine.</subfield>
    <subfield code="2">AudioFile Magazine.</subfield>
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    <subfield code="a">HTML:"&lt;br /&gt; "That adage of no one knows what goes on behind closed doors moves the plot of &lt;i&gt;Gone Girl&lt;/i&gt;, Gillian Flynn's suspenseful psychological thriller... Flynn's unpredictable plot of &lt;i&gt;Gone Girl&lt;/i&gt; careens down an emotional highway where this couple dissects their marriage with sharp acumen... Flynn has shown her skills at gripping tales and enhanced character studies since her debut &lt;i&gt;Sharp Objects&lt;/i&gt;, which garnered an Edgar nod, among other nominations. Her second novel &lt;i&gt;Dark Places&lt;/i&gt; made numerous best of lists. &lt;i&gt;Gone Girl&lt;/i&gt; reaffirms her talent.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;South Florida Sun-Sentinel&lt;/i&gt;, Oline Cogdill&lt;br /&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">HTML:&lt;p&gt;"Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... &lt;i&gt;Gone Girl&lt;/i&gt; is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around."&lt;/p&gt;.</subfield>
    <subfield code="2">HTML:Janet Maslin, &lt;i&gt;&lt;b&gt;New York Times&lt;/b&gt;&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"It's simply fantastic: terrifying, darkly funny and at times moving. The minute I finished it I wanted to start it all over again. Admirers of Gillian Flynn's previous books, &lt;i&gt;Sharp Objects&lt;/i&gt; and &lt;i&gt;Dark Places&lt;/i&gt;, will be ecstatic over &lt;i&gt;Gone Girl&lt;/i&gt;, her most intricately twisted and deliciously sinister story, dangerous for any reader who prefers to savor a novel as opposed to consuming it whole in one sitting....".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Associated Press,&lt;/i&gt; Michelle Weiner.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">HTML:"How did things get so bad? That's the reason to read this book. Gillian Flynn -- whose award-winning &lt;i&gt;Dark Places&lt;/i&gt; and &lt;i&gt;Sharp Objects&lt;/i&gt; also shone a dark light on weird and creepy, not to mention uber dysfunctional characters -- delves this time into what happens when two people marry and one spouse has no idea who their beloved really is.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;USA Today,&lt;/i&gt; Carol Memmott.</subfield>
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    <subfield code="a">HTML:&lt;br /&gt; "Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood around the pages... But as in her other books, Ms. Flynn has much more up her sleeve than a simple missing-person case. As Nick and Amy's alternately tell their stories, marriage has never looked so menacing, narrators so unreliable.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Wall Street Journal&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"&lt;br /&gt; "[Flynn has] quite outdone herself with a tale of marital strife so deliciously devious that it moves the finish line on &lt;i&gt;The War of the Roses&lt;/i&gt;... A novel studded with disclosures and guided by purposeful misdirection... Flynn delivers a wickedly clever cultural commentary as well as a complex and driven myste.</subfield>
    <subfield code="2">HTML:&lt;i&gt;New York Daily News&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"&lt;br /&gt; "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page.".</subfield>
    <subfield code="2">People (four stars.)</subfield>
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    <subfield code="a">HTML:"Readers who prefer more virulent strains of unreality will appreciate the sneaky mind games of Gillian Flynn's &lt;i&gt;Gone Girl&lt;/i&gt;, a thriller rooted in the portrait of a tricky and troubled marriage.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;&lt;b&gt;New York Times&lt;/b&gt;&lt;/i&gt;.</subfield>
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    <subfield code="a">"Gillian Flynn's third novel is both breakneck-paced thriller and masterful dissection of marital breakdown... Wickedly plotted and surprisingly thoughtful, this is a terrifically good read.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;&lt;b&gt;Boston Globe&lt;/b&gt;&lt;/i&gt;.</subfield>
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    <subfield code="a">Suspense.</subfield>
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    <subfield code="a">Thriller.</subfield>
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    <subfield code="a">Fiction.</subfield>
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    <subfield code="a">Mystery.</subfield>
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    <subfield code="a">Media Type: Audiobook.</subfield>
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    <subfield code="a">The New York Times Best Seller List.</subfield>
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    <subfield code="a">Importer Version: 2014-01-08.01 Import Date: 2015-08-06 14:05:11.</subfield>
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    <subfield code="a">Whelan, Julia.</subfield>
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